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Researchers in the Program

Jens Arnspang, Medialogy, Aalborg University Esbjerg-AAUE (Recognition of Expressive Styles in Music Performance)
Tony Brooks, Medialogy, Aalborg University Esbjerg-AAUE (Adaptable Interfaces & Augmented Avatar (JC) - Introducing Tools for Disabled and Musicians in VR)
Mogens Christensen, Academy of Music and Dramatic Arts/Syddansk Musikkonservatorium & Skuespillerskole-SMKS (Recognition of Expressive Styles in Music Performance)
Jakob Christensen-Dalsgaard, Institute of Biology, University of Southern Denmark-SDU (Recognizing Music - biological perspectives on music and the emotions)
Peter Edlef Nissen, Research Librarian, University of Southern Denmark-SDU, and Director, Syddansk Sang- og visecenter/The Song and Ballad Center of Southern Denmark. (Community Singing and/or Ideology)
Søren R. Frimodt-Møller, Institute of Philosophy, Education and the Study of Religions -IFPR, University of Southern Denmark-SDU (The Composition and its Role in the Music Ensemble; Music and Meaning). For more information, please see www.orkesterfilosofi.dk
Claus Gahrn, Composer, Musician (Soundmapping the Genes)
Lars Graugaard, Composer, Musician (Autonomous Agents – An accompanist in VR)
Cynthia M. Grund, Institute of Philosophy, Education and the Study of Religions-IFPR, University of Southern Denmark-SDU (Recognizing Music; Music and Meaning; Relationship of Gesture to Communicative Authenticity in Performance Musical Implications of the Work of Pragmatist Philosophers James, Dewey and Peirce; Employing the Methods of Discourse Narrative to support Interpretative Choices Faced by the Practicing Musician). For more information, please see http://www.cynthiamgrund.dk
Marianne Horsdal, Institute of Philosophy, Education and the Study of Religions-IFPR, The University of Southern Denmark-SDU (Employing the Methods of Discourse Narrative to support Interpretative Choices Faced by the Practicing Musician)
Kristoffer Jensen, Medialogy, AAUE (Recognition of Expressive Styles in Music Performance; Autonomous Agents – An accompanist in VR)
Axel Momme, Academy of Music and Dramatic Arts/Syddansk Musikkonservatorium & Skuespillerskole-SMKS (Music Communication; Recognition of Expressive Styles in Music Performance)
Eva Petersson, Medialogy, Aalborg University Esbjerg-AAUE (Children's Knowledge Creation with Intelligent Agents in Music Education - Understanding for Optimizing Motivations)
Niklas Saers, Syddansk Musikkonservatorium & Skuespillerskole-SMKS and Aalborg University Esbjerg-AAUE (Recognition of Expressive Styles in Music Performance)
Lars Ole Sauerberg, Institute of Literature, Media and Cultural Studies-ILKM, The University of Southern Denmark-SDU (Intermediality)
Hans Sydow, Academy of Music and Dramatic Arts/Syddansk Musikkonservatorium & Skuespillerskole-SMKS (Music Communication)
Fredrik Søegård, Academy of Music and Dramatic Arts/Syddansk Musikkonservatorium & Skuespillerskole-SMKS (Soundmapping the Genes, Music Communication)
Tere Vadén, Hypermedia Laboratory, University of Tampere, Finland (Analysis and Implementation of Practice-Based Research)
William Westney, School of Music, Texas Tech University Lubbock, Texas; HCA-Andersen Academy Guest Professor, IFPR, SDU. (Relationship of Gesture to Communicative Authenticity in Performance ; Musical Implications of the Work of Pragmatist Philosophers James, Dewey and Peirce; Employing the Methods of Discourse Narrative to Support Interpretive Choices Faced by the Practicing Musician). For more information, see
http://www.depts.ttu.edu/music/SOM/WilliamWestney.asp;
http://www.williamwestney.com;
SDU's HCA Guest Professor page;
http://www.soundmusicresearch.org/HCA_Prof.html.
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Institute of Philosophy,
Education and the Study
of Religions
Research Director for
The Aesthetics of
Music and Sound:
Cynthia M. Grund
cmgrund@ifpr.sdu.dk

Updates

March 7, 2010: .pdf-version of the program for Music, Meaning and Gesture - including schedule, lecture descriptions and readings - is now available.
Please click here.
February 27, 2010: Norwegian coverage of NNIMIPA.
On February 22 2010, the Norwegian cultural site www.kulturkompasset.com began running a story here after the NNIMIPA: Nordic Network for the Integration of Music Informatics, Performance an Aesthetics coordination meeting in Oslo at the Department of Musicology, during which William Westney gave a concert, an Un-Master Class and participated in a variety of motion-capture experiments designed to shed light on the role of gesture in musical performance.
February 22, 2010: New comprehensive website for NNIMIPA: Nordic Network for the Integration of MusicInformatics, Performance and Aesthetics.
For more information regarding NNIMIPA: Nordic Network for the Integration of Music Informatics, Performance and Aesthetics, the network behind Music, Meaning and Gesture, please see www.nnimipa.org.
February 21, 2010: Course schedule now up for NordPlus-sponsored Nordic Master's Course on Music, Meaning and Gesture, SDU-Odense March 22-26, 2010.
After a productive coordination meeting in Oslo February 18-19, there is now a course schedule available here for Music, Meaning and Gesture. Please check regularly for updated information.
February 15, 2010: Televised documentary "Music and Meaning: Duets and Dialogues" with WILLIAM WESTNEY and CYNTHIA M. GRUND.
During the week of February 15-February 22, 2010, ALT-Aabenraa Lokal TV will be airing "Music and Meaning: Duets and Dialogues" with H.C. Andersen Guest Professor William Westney and Cynthia M. Grund, Research Director for The Aesthetics of Music and Sound (AMS). To view the documentary on ALTV's homepage, please click here. This program includes interviews with Westney and Grund, gives an overview of the activities of AMS, tells the story behind William Westney's connection with the Institute of Philosophy, Education and the Study of Religions at The University of Southern Denmark (SDU), and includes clips from the conference held at SDU-Odense on November 6, 2009: Art and/or Entertainment? The Fifth Anniversary Conference on Philosophy and Popular Culture.
February 8, 2010: Televised documentary on the Un-Master Class with WILLIAM WESTNEY.
The Aesthetics of Music and Sound (AMS) hopes that everyone has experienced a good start to the spring semester, 2010. We are pleased to present more television coverage of the activities of William Westney during his tenure as H.C. Andersen Guest Professor her at the Institute of Philosophy, Education and the Study of Religions at SDU 2009-2010. This time it is a documentary about William Westney's Un-Master Class, filmed at Alsion Concert Hall in Sønderborg November 24, 2009 and broadcast for the first time on ALT-Aabenraa Lokal TV during the week of February 8, 2010. To view the documentary, please click here in order to access the segment directly on ALT's homepage.
To keep up with what is going on in AMS during the spring semester of 2010, please keep and eye on the "Events" page - you can click here - for details as these become available.
January 5, 2010: Televised concert with WILLIAM WESTNEY.
The Aesthetics of Music and Sound wishes everyone a very Happy New Year and is pleased to bring you a New Year's concert. ALT-Aabenraa Lokal TV has broadcast a concert with H.C. Andersen Guest Professor William Westney recorded live on November 24, 2009 at Alsion Concert Hall, Sønderborg. To view the program as a pdf-file, please click here. To see and hear the concert, please click here. The broadcast is of the concert in its entirety and divided into two parts. The first part contains music by Haydn, Fauré, Liszt, Harburg/Arlen, and Arlen as well as the first piece by Gershwin. The second part contains the Gershwin/Wild Fantasy on Porgy and Bess and the Burgmüller encore.
November 30, 2009: TV interview with WILLIAM WESTNEY.
ALT-Aabenraa Lokal TV has broadcast the first of a series of interviews with H.C. Andersen Guest Professor William Westney. To view the clip, please click here.

Archive

for "Updates": Click here.
(Includes the description of the SDU-IFPR research program The Aesthetics of Music and Sound which initially appeared online in Danish as Musikkens og Lydens Aestetik during the fall of 2006.)
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