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NEWS:

Concert and seminar. 

 

LUNCHTIME CONCERT with LOUISE NORDSTRØM

 

 THURSDAY, OCTOBER 9, 2014

12 noon - 1 p.m. in THE WINTER GARDEN:

 

Concert poster available HERE as pdf-file.

Concert program with available HERE as pdf-file.

Facebook event page HERE.

 

 

 

. . . and a seminar:

 

Thursday, October 9, 2014, 4:15-6 p.m. in U67

 

PLEASE NOTE THE CHANGE IN TIME TO ONE HOUR LATER. THIS IS DUE TO THE ANNUAL UNIVERSITY-WIDE HANS CHRISTIAN ANDERSEN ACADEMY LECTURE BEING HELD AT 3:00 p.m.in U45: WIZARDRY WITH LIGHT WITH PROFESSOR LENE VESTERGAARD HAU.

  

 

Vox Humana

 

Theo van Leeuwen is Professor of Multimodal Communication at the University of Southern Denmark and Emeritus Professor at the University of Technology, Sydney. He has published widely in the areas of social semiotics, multimodal communication and critical discourse analysis. His books include Reading Images – The Grammar of Visual Design (with Gunther Kress);  Speech, Music, Sound;  Multimodal Discourse – the Modes and Media of Contemporary Communication (with Gunther Kress); Global Media Discourse (with David Machin),  Introducing Social Semiotics; Discourse and Practice – New Tools for Critical Discourse Analysis, and The Language of Colour. He is a founding editor of the journal Visual Communication.

 

Abstract: People have long dreamt of making musical instruments sound like the human voice. “If the violin stop is added”, wrote Father Mersenne  in his Harmonie Universelle of 1636, “it seems that there will be nothing more to desire in the organ unless it be that the pipes should sound the vowels and the syllables. ..this it seems must not be hoped for because of the great difficulties encountered.”

     Today’s electronic instruments do ‘sound the syllables and the vowels’, but human voices now use technologies such as autotune and vocoder to produce sounds which reach beyond the natural human range,  sustain beyond the  natural duration of the human breath, and produce timbres and effects the human voice cannot naturally produce.

     This paper will sketch the history of the interaction between the voice and technology and discuss the values that are at stake in this interaction.

 

Poster available as pdf file HERE.

Facebook event page HERE.

 

 

Audience participation via Skype is also welcome.

 

 

 

 

Cross-Disciplinary Interplay

between the

Humanities, Technology and Musical Practice

 

 

 

 

 

 

 

The Performances of Everyday Living

 

Introduction: The SDU research program The Performances of Everyday Living (PEL) based at the Institute for the Study of Culture, widens the purview of The Aesthetics of Music and Sound - Cross-disciplinary Interplay between the Humanities, Technology and Musical Practice (AMS) www.soundmusicresearch.org. The official date for the launch of PEL was January 1, 2014. Research programs of this kind are established for three years at a time, in the case of PEL 2014-2016. AMS functioned 2006–2013 as a research program devoted to investigating music primarily in terms of information and communication. AMS continues to exist, but now functions as a background milieu for PEL, where PEL moreover examines cultural, physiological/anatomic and institutional preconditions and implications of the appropriation, use – and meaning – of music. These are compared and contrasted with the corresponding preconditions and implications for the appropriation, use and meaning of art, food and physical culture/exercise. By coordinating research areas as disparate as these, we hope to provide increased understanding of central activities which invoke a participatory aesthetic in the life and experience of modern humans. These activities are constructively contrasted and compared as species of performances. The relevance of performance as an integrative perspective appropriate for this research has been clearly demonstrated within NNIMIPA: Nordic Network for the Integration of Music Informatics, Performance and Aesthetics (www.nnimipa.org), an SDU-based research network that has functioned in parallel with AMS since 2007.

 

Projects: Here is a representative selection of projects that either were in progress or under development as PEL became officially established on January 1, 2014:

 

     Performance, Natural Movement, Exercise and Fitness

Examines connections between authentic artistic performance, musical appropriation, "natural" movement and proprioception.

 

     Music and Meal Culture in Vollsmose

Explores "sensuality" in a Middle Eastern, Islamic perspective in compared with a Scandinavian, Lutheran one, as manifested in the food, art and music practices of the respective cultures. Methods of psychometric validation are explored and employed.

 

Metal Music and Culture

Why is a style of music so fixated upon themes of death, nihilism and self-destruction the preferred conduit for aesthetic self-expression for so many in this, the supposedly happiest of all areas on earth? How does its appeal relate to dark Romanticism and dissonant properties of music and imagery?

 

The Performative Pairing of Food and Music

Comparison and contrast of the roles food and music play as potent regulators of our moods and emotions as the latter influence our experience of meaningfulness and significance in our daily lives.

 

Getting Inside the Music

This project concerns itself with the investigation and development of performative, participatory and immersive techniques in music pedagogy and in the use of music in pedagogy in general.

 

Members: Membership in the Core and associated members work at the Institute for the Study of Culture at SDU; see here. Affiliated members come from relevant external milieux: More information about the roles played by individual group members will be made available as the site for PEL continues to be developed within the context of AMS during the spring of 2014.

 

Core:

1.    Claudio Cifuentes Aldunate

2.    Mogens Davidsen

3.    Cynthia M. Grund

(research director/forskningsleder)

4.    Vitus Vestergaard

 

Associated:

5.    Mikkel Snorre Wilms Boysen

6.    Marianne Børch

7.    Nikolaj Frydensbjerg Elf

8.    Lars Ole Sauerberg

9.  Roy Sellars

10.  Herdis Toft

11.  Andreas Lenander Ægidius

 

Affiliated:

12.  Matthias Bode, Assoc. Prof., Marketing and Management, SDU (Acoustic branding).

13.  Kasper Hafstrøm Bøg, Kommunikatør & projektleder, Syddansk Musik og Skuespillerskole-  SMKS.

14.  Erik Christensen – PhD, Aalborg U 2012 (Neuroscience/music therapy).

15.  Jakob Christensen Dalsgaard, Assoc. Prof, Biology, SDU.

16.  Søren R. Frimodt-Møller, Asst. Prof., Dept. Of Architecture, Design, and Media Technology; Aalborg U-Esbjerg (Media, philosophy and music).

17.  Helene Gjerris – Prof. & vocalist,  SMKS, (Performance studies).

18.  Kristoffer Jensen – Assoc. Prof., Dept. Of Architecture, Design, and Media Technology; Aalborg U-Esbjerg (IT and music). NNIMIPA Coordinator, Aalborg U-Esbjerg.

19.  Christian Mosbæk Johannessen, Assistant Professor, Dept. of Language and Communication, SDU (Centre for Human Interactivity & Centre for Multimodal Communication)

20.  Michael O’Boyle – Prof., Texas Tech U - TTU (fMRI/neuroscience).

21.  Mika Sihvonen -Senior Researcher in The School of Information Sciences University of Tampere, Tampere, Finland. NNIMIPA Coordinator, UTA.

22.  Christophe Szpajdel, logo designer, Belgium.

23.  Niels Ullner – Prof. & cellist, SMKS (Performance studies).

24.  William Westney – Prof., TTU. Expert piano performance.

25.  James Yang – Asst. Prof., TTU. Motion capture.

 

Looking Ahead: Quite a few members from each category are giving seminars in the series Topics in the Aesthetics of Music and Sound throughout 2014: please see here.

     Please visit us frequently here on our site to follow the development of the research program The Performances of Everyday Living.

 

 

 

 

 

 

NNIMIPA: Nordic Network for the Integration of Music Informatics, Performance and Aesthetics, a NordForsk network, held a satellite session - Music, Movement and the Brain - on October 14, 2013 in conjunction with The 10th International Symposium on Computer Music Multidisciplinary Research (CMMR) October 15-18, 2013. themed Sound, Music and Motion. Please see http://www.nnimipa.org for details.

IF YOUR BROWSER DOES NOT SUPPORT EMBEDDING IN THE SPACE BELOW, PLEASE VIEW THE VIDEO AT http://youtu.be/U9DYVvyDA0k.

 

 

 

 

Welcome to the website for

The Aesthetics of Music and Sound (AMS)

 

 

- a research program under the aegis of the Institute for the Study of Cultureat the University of Southern Denmark, 2006-2013, and during 2014-2016 a milieu and context that frames, among other activities, the research program The Performances of Everyday Living; please see above. We hope that you will find this website both useful and informative as you navigate through the menu choices available on the tabs at the top of each page. In addition:

 

  • the goals and background of AMS are described HERE.

  • a printer-friendly synopsis of AMS in pdf-form is available HERE.
  • these networks are closely affiliated with The Aesthetics of Music and Sound. The logos are hyperlinks:

 

JMM: The Journal of Musicand Meaning (Funded by the Danish Research Council for the Humanities.)

 

 

 

 

Nordic Network for the Integration of Music Informatics,Performance and Aesthetics(Supported by NORDPLUS 2007-2010; a research network under NordForskSeptember 1, 2010-August 1, 2013.)

 

 

 

netværk for tværvidenskabelige studier af musik og betydning/

network for cross-disciplinary studies of music and meaning

(Note on September 21, 2012: This is largely an archival site, where the rich variety of programs sponsored by NTSMB from 2001-2010 may be viewed. NTSMB was the exploratory network founded in 2001 with two years' worth start-up funding from the Danish Council for Research in the Humanities and in which JMM, NNIMIPA and the present program/site, The Aesthetics of Music and Sound, all have their origins.)

For information about addtional networks with which the research program is affiliated, please see the menu tab labeled Research Networks.

 

On behalf of The Aesthetics of Music and Sound,

Cynthia M Grund, Coordinator

Research Director for The Performances of Everyday Living.

 

 

 

Technological and Aesthetic Investigations of the Physical Movements of Pianists: Photo Essay

 

 

During week 42 2012, October 15-21, while the fall break was being observed at Danish universities, research connected with The Aesthetics of Music and Sound was being carried out across the Atlantic at Texas Tech University (TTU), Lubbock Texas. Continuing an investigatory process that began in February 2010 at the fourMs Laboratory at the University of Oslo, Cynthia M. Grund and William Westney have established a collaboration with a new research team for a motion capture pilot study at TTU.

 

Here is a photo essay (requires Flash) that documents the research activities that took place at TTU October 13-18, 2012.

 

 

 

Tip: To view the essay in full-screen mode, just click on the circled arrow in the middle of the picture and then click on the screen icon in the lower left-hand corner. To control the speed with which the slides progress, move the cursor to the lower right-hand corner when in full-screen mode. A row of five arrows appears; the slowest setting is activated when only the leftmost arrow alone is highlighted; the fastest setting is activated when all five arrows are highlighted.

 

 

For more background, on the origins of this work in the context of a meeting of NNIMIPA: Nordic Network for the Integration of Music Informatics, Performance and Aesthetics in Oslo, Norge, February 2010, please see http://www.nnimipa.org/JWG.html and http://www.nnimipa.org/CM.html. For more background on the project Technological and Aesthetic Investigations of the Physical Movements of Pianists, please see http://www.soundmusicresearch.org/TRA.html.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Institute for the

Study of Culture

(Institut for Kulturvidenskaber - IKV)

 

 

Research Director for 

The Performances of

Everyday Living

Coordinator for

The Aesthetics of

Music and Sound

and

Editor and Webmaster for

www.soundmusicresearch.org:

Cynthia M. Grund

cmgrund@sdu.dk

 

 

Updates

 

Archive

for ""Updates" and "News":

Click HERE.

 

 

 

 

October 3: Lunchtime Concert with Louise Nordstrøm,  Thursday, October 9, 12 noon -1 p.m. in The Winter Garden, University of Southern Denmark, Campusvej 55, 5230 Odense M. Please see HERE for details.

 

 

 

 

The concert will be followed by a seminar with Theo van Leeuwen, Professor of Multimodal Communication at the University of Southern Denmark and Emeritus Professor at the University of Technology, Sydney  - Vox Humana - Thursday,  October 9, 4:15 p.m. - 6 p.m. in in U67, University of Southern Denmark, Campusvej 55, 5230 Odense M.  PLEASE NOTE THE CHANGE IN TIME TO ONE HOUR LATER. THIS IS DUE TO THE ANNUAL UNIVERSITY-WIDE HANS CHRISTIAN ANDERSEN ACADEMY LECTURE BEING HELD AT 3:00 p.m.in U45: WIZARDRY WITH LIGHT WITH PROFESSOR LENE VESTERGAARD HAU. Audience participation via Skype is also welcome. Poster for the seminar available HERE. The schedule for all  seminars during the semester may be found HERE.

 

 

 

September 27: Seminar with Cynthia M. Grund (in person), Associate Professor of Philosophy, Institute for the Study of Culture, SDU, and William Westney (via Skype), Paul Whitfield Horn Professor of Piano, Browning Artist-in-Resid​ence School of Music, Texas Tech University:  What Avatars and Brain Scans Reveal about the Effects that  Intentions Can Have on the Way a Performer Plays. Thursday, October 2, 3:15 p.m. - 5 p.m. in in U67, University of Southern Denmark, Campusvej 55, 5230 Odense M. Audience participation via Skype is also welcome. Poster for the seminar available HERE. The schedule for all  seminars during the semester may be found HERE.

 

 

September 19: Lunchtime Concert with Per Aage Brandt, jazz pianist,Thursday, September 25, 12 noon -1 p.m. in The Winter Garden, University of Southern Denmark, Campusvej 55, 5230 Odense M. Program HERE; poster HERE.   followed by a seminar, also with 

 

 

Per Aage Brandt, Professor Adj. in Cognitive Science at Case Western Reserve University. Founder of the journal Cognitive Semiotics: What Chords Are Doing: On Tonality in Jazz Improvisation and in Tonal Music in General. From Schönberg
to Bill Evans. Thursday, September 25, 3:15 p.m. - 5 p.m. in in U67,
University of Southern Denmark, Campusvej 55, 5230 Odense M. Audience participation via Skype is also welcome. Poster for the seminar available HERE. The schedule for all  seminars during the semester may be found HERE.

 

 

 

 

September 14: Lunchtime Concert with Sofie KØ, alternative poprock, with August Korsgaard at the piano and Laurits Brinkmann on bass.  Thursday, September 18, 12 noon -1 p.m. in The Winter Garden, University of Southern Denmark, Campusvej 55, 5230 Odense M.

 

 

 

The concert will be followed by a seminar with Coen Elemans, PhD, Associate  Professor, Institute of Biology, University of Southern Denmark - The Real "All-singing, All-dancing" Thing: Sound Production and Communication in Songbirds - Thursday, September 18

8, 3:15 p.m. - 5 p.m. in in U67, University of Southern Denmark, Campusvej 55, 5230 Odense M. Audience participation via Skype is also welcome. Poster for the seminar available HERE. The schedule for all  seminars during the semester may be found HERE.

 

 

 

 

September 7: Seminar with Jakob Christensen Dalsgaard, PhD, Associate Professor, Center for Sound Communication, Institute of Biology, University of Southern Denmark - What Did the World Sound Like to the Dinosaurs?Thursday, September 11, 3:15 p.m. - 5 p.m. in in U67, University of Southern Denmark, Campusvej 55, 5230 Odense M. Audience participation via Skype is also welcome. Poster for the seminar available HERE. The schedule for all  seminars during the semester may be found HERE. . .

 

 

 

. . . and the semester got off to a great start on September 4 with a Lunchtime Concert performed by Jens Jakob Kjær Hansen in The Winter Garden at SDU.Program HERE. Poster HERE. . .

 

 

 

 

. . .  the concert was followed by the first seminar in the series Topics in the Aesthetics of Music and Sound for the fall of 2014 -
Sound as Environment: Towards an Aesthetics of Sonic Environmentality with
Ulrik Schmidt, PhD, Assistant Professor in Performance-design at Roskilde University, Denmark. Poster for the seminar available
HERE. The schedule for all  seminars during the semester may be found HERE

 

 

June 17, 2014:

 

 

As observant members of our Facebook group already know, on June 11 it was announced that JMM: The Journal of Music and Meaning has had its funding from theDanish Council for Independent Research | Culture and Communication renewed for the next three years. Please see http://ufm.dk/en/research-and-innovation/funding-programmes-for-research-and-innovation/who-has-received-funding/2014/-1 under "Journals."

 

 

June 2, 2014: A visit to the archives (HERE) for The Aesthetics of Music and Sound  - Cross-Disciplinary Interplay between the Humanities, Technology and Musical Practice reveals that construction of the homepage www.soundmusicresearch.org began five years ago today on June 2, 2009.  So, a little celebration is in order!

 

As of January 1, 2014 it is also the site of the SDU-IKV Research Program The Performances of Everyday Living.

 

 

 

Archive

for "Updates" and "News":

Click HERE.

 

(Includes the description of the SDU-IFPR research program The Aesthetics of Music and Sound which initially appeared online in Danish as Musikkens og Lydens Aestetik during the fall of 2006.)

 


The Aesthetics of Music and Sound - www.soundmusicresearch.org

Cross-Disciplinary Interplay between the Humanities, Technology and Musical Practice:

Site of the SDU-IKV Research Program: The Performances of Everyday Living