Cross-Disciplinary Interplay between the

Humanities, Technology and Musical Practice

  

 

June 30, 2010: NordForsk awards a grant of 571,239 Norwegian kroner to NNIMIPA for 2010-2013.

 

The Nordic Network for the Integration of Music Informatics, Performance and Aesthetics (NNIMIPA - www.nnimipa.org) becomes a research network under NordForsk (www.nordforsk.org) on September 1, 2010. Nordforsk contacted chief applicant Cynthia M. Grund on June 30 to announce the award of 571,239 Norwegian kroner (ca. 535,000 Danish kroner/88,000 US dollars) for 2010-2013. The decision was made by the director of NordForsk following an evaluation carried out by a panel of independent experts.

 

 

For several decades, philosophy of music or, more generally, humanistic research in music has concentrated on issues such as

 

  • the relationships between music and speech
  • the influence on local and global culture exerted by the immediate availability of music from virtually any time and place
  • the ways in which agents hear sounds as meaningful and representative, even when they come from the realm of what is usually thought of as “noise"
  • the ontological status of the work of music or more narrowly the status of the composition

 

And, more recently,

 

  • understanding processes in the minds of performing musicians, and
  • inspired by the results of such investigations in music ensembles, getting a deeper understanding of human interaction in communities (or just person to person) in general.

  

The Research Program The Aesthetics of Music and Sound, centered at the Institute for Philosophy, Education and the Study of Religions (IFPR), University of Southern Denmark (SDU),  aims at shedding new light upon these questions by viewing music in terms of information and communication, aided by the tools under rapid development within information technology, practice-based research and the new perspectives arising within aesthetics as a result of new technologies for studying and producing music.

 

Among the topics to which these considerations give rise are:

 

  • the extension and application of successful music teaching strategies to pedagogical method in general
  • expanding the techniques of music pedagogy by integrating those from other disciplines
  • assessing the implications of various approaches to music pedagogy with respect to expressivity, mastery, and individuality.

 

[For a full description of the goals of the Research Program, as well as its background, please continue here.]

 

  

For a printer-friendly synopsis of the research program in pdf-form (links live when viewed online), please click here.

 

 

Please see the following networks for additional information about activities within The Aesthetics of Music and Sound:                                                

 

 

JMM: The Journal of Music  and Meaning (Funded by the Danish Research Council for the Humanities.)

 

 

 

 

 

Nordic Network for the Integration of Music Informatics, Performance and Aesthetics ((Supported by NORDPLUS 2007-2010; a research network under NordForsk September 1, 2010-August 1, 2013.) 

 

 

 

 

 

 

netværk for tværvidenskabelige studier af musik og betydning/

network for cross-disciplinary studies of music and meaning

 

 

 

 

 

 

 Institute of Philosophy,

Education and the Study

of Religions

 

Research Director for

The Aesthetics of

Music and Sound:

and

 Editor and Webmaster for

www.soundmusicresearch.org:

Cynthia M. Grund

cmgrund@ifpr.sdu.dk

 

Updates

 

 

June 30, 2010: NordForsk awards a grant of 571,239 Norwegian kroner to NNIMIPA for 2010-2013.

The Nordic Network for the Integration of Music Informatics, Performance and Aesthetics (NNIMIPA - www.nnimipa.org) becomes a research network under NordForsk (www.nordforsk.org) on September 1, 2010. Nordforsk contacted chief applicant Cynthia M. Grund on June 30 to announce the award of 571,239 Norwegian kroner (ca. 535,000 Danish kroner/88,000 US dollars) for 2010-2013. The decision was made by the director of NordForsk following an evaluation carried out by a panel of independent experts.

 

June 23,2010: Summary report chronicling William Westney's tenure as HCA-Academy Guest Professor at SDU now available on the menu tab "HCA Professor 2009-10" here on this site. As the summary report indicates, William Westney's presence as HCA-Academy Guest Professor has put its very exciting imprimatur on many of the acitivities within The Aesthetics of Music and Sound this year, and a heartfelt "thank you" goes to Professor Westney for all he has done to enrich the program. To see all that has transpired - also those activities and events without direct relation to the guest professorship - please see the calendar available on the "Events/Calendar" menu tab on this site (on the calendar itself, click the leftward-pointing arrow next to "Today.")

  Now the summer university break is soon upon us, but please keep an eye out for upcoming events and activities within The Aesthetics of Music and Sound on both the "Preview" and "Events/Calendar" menu tabs.

  The Aesthetics of Music and Sound wishes everyone a happy, healthy summer filled with wonderful music and sounds!

 

June 13, 2010:  Preview tab added to the site's menu bar in order to inform about upcoming events, also those for which a date has yet to be fixed.

  For all that has gone on in May 2010 and previously, please see "Archive for 'Updates' " below and the calendar available on the menu tab "Events/Calendar."

 

May 31, 2010:  For details on the June 2, 2010 Seminar on meaning formation in music from the perspectives of multi-modality and functional linguistics  at SDU with William Westney and Cynthia M. Grund, please see here.

 

 

Archive

for "Updates": Click here.

 

(Includes the description of the SDU-IFPR research program The Aesthetics of Music and Sound which initially appeared online in Danish as Musikkens og Lydens Aestetik during the fall of 2006.)


 

 

 

The Aesthetics of Music and Sound - www.soundmusicresearch.org              

Cross-Disciplinary Interplay between the Humanities, Technology and Musical Practice