The Aesthetics of Music and Sound - www.soundmusicresearch.org              

Cross-Disciplinary Interplay between the Humanities, Technology and Musical Practice    

 

Project Descriptions

 

 

4. Practice-based Research

 

c)  Musical Implications of the Work of Pragmatist Philosophers James, Dewey and Peirce 

 

 

 

Description on the way

 

 

William Westney, Cynthia M. Grund

 

 

 

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 Institute of Philosophy, 

Education and the Study

of Religions

 

Research Director for

The Aesthetics of

Music and Sound

and

 Editor and Webmaster for

www.soundmusicresearch.org:

Cynthia M. Grund

cmgrund@ifpr.sdu.dk

 

 

Projects

 

(For descriptions, please click on the the tabs at the top of the page.)

 

1.Understanding Music through Modern Technology

a) Recognizing Music

b) Recognition of Expressive Styles in Music Performance

c) Autonomous Agents – An Accompanist in VR

d) The Composition and Its Role in the Ensemble

2. Intermediality

3. Learning through Music

a) Music Communication

b) Children's Knowledge Creation with Intelligent Agents in Music Education - Understanding for Optimizing Motivations

c) Adaptable Interfaces & Augmented Avatar - Introducing Tools  for the Disabled and Musicians in VR

d) Community Singing and/or Ideology

4. Practice-based Research

a) Analysis and Implementation of Practice-Based Research

b)  Relationship of Gesture to Communicative Authenticity in Performance 

c) Musical Implications of the Work of Pragmatist Philosophers James, Dewey and Peirce

d) Employing the Methods of Discourse Narrative to Support Interpretive Choices Faced by the Practicing Musician

e) Soundmapping the Genes

f) A Program of Practice-based Research Designed to Examine Listener Reaction to Olivier Messiaens Vingt Regards sur l'Enfant Jesus

5. Selective Bibliography