“If I could say it, I wouldn’t have to dance it” (Isadora Duncan):

 A Philosophical Investigation of Multimodality

 

 

 

 

 

 

 

 

 

 

 

 

INSTRUCTORS

COURSE DESCRIPTION:

Words, images, physical gestures, musical sounds, virtual worlds – these modes of human functioning can integrate in various combinations in order to create and communicate understanding. This is multimodality. Always of interest to philosophers and artists, multimodality is becoming more universally relevant in the 21st century. This course will study, and exemplify, multimodality from a philosophical perspective.

Main themes:

Philosophy and multimodality; musical meaning; philosophy of language; virtual reality and metaphysics

 

Knowledge and Skill Goals:

  • Knowledge: Philosophical theories and technical aspects pertaining to multimodality

 

  • Skill:

(1) ability to analyze the components of multimodality (as used by others) and assess their effectiveness

(2) ability to use multimodal resources effectively in independent projects

 

COURSE SCHEDULE & DETAILED DESCRIPTION

READING AND MULTIMEDIA RESOURCES

PROPOSED EVALUATION METHODS FOR THE COURSE

ADDITIONAL RESOURCES

BIFRÖST (ENTRY PAGE)

 

 

The Aesthetics of Music and Sound - www.soundmusicresearch.org              

Cross-Disciplinary Interplay between the Humanities, Technology and Musical Practice